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	<title>Upstream Theater</title>
	<link>https://www.upstreamtheater.org</link>
	<description>Upstream Theater</description>
	<pubDate>Sat, 22 Aug 2026 17:33:50 +0000</pubDate>
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	<language>en</language>
	
		
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		<title>Header</title>
				
		<link>https://www.upstreamtheater.org/Header</link>

		<pubDate>Wed, 15 May 2019 22:35:35 +0000</pubDate>

		<dc:creator>Upstream Theater</dc:creator>

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	UPSTREAM THEATER


	About Us &#124; Past Plays &#124; Support &#124; FAQ &#124; Contact &#124; News
See Don’t Wait For the Marlboro Man

&#38;nbsp;
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	<item>
		<title>BEYOND RETURN HEADER</title>
				
		<link>https://www.upstreamtheater.org/BEYOND-RETURN-HEADER</link>

		<pubDate>Sat, 22 Aug 2026 17:23:53 +0000</pubDate>

		<dc:creator>Upstream Theater</dc:creator>

		<guid isPermaLink="true">https://www.upstreamtheater.org/BEYOND-RETURN-HEADER</guid>

		<description>&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
&#60;img width="2334" height="762" width_o="2334" height_o="762" data-src="https://freight.cargo.site/t/original/i/3456fea8e4b03453766f4b3f6eda189e99adcd7db3781e3540bf1c07aeaae504/LOGO_swooshWHITE-clear.png" data-mid="251489492" border="0" data-scale="20" src="https://freight.cargo.site/w/1000/i/3456fea8e4b03453766f4b3f6eda189e99adcd7db3781e3540bf1c07aeaae504/LOGO_swooshWHITE-clear.png" /&#62;&#38;nbsp;ABOUT&#38;nbsp;&#124;&#38;nbsp;CONTACT &#124; FAQ  &#124; LAB &#124; PAST PLAYS &#124; SUPPORT &#124; EVENTS &#124;&#38;nbsp;OPPORTUNITIES&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Revel With a Cause:&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; LEADING WITH&#38;nbsp; HEART FOR ANOTHER 20 YEARS
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Celebrate Upstream on October 8, 2026 6pm at Sally’s Rooftop Garden located at .ZACK&#38;nbsp;
 

 &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; Tickets and more info: here! &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Tickets for The Janeiad: here

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	<item>
		<title>Current Show slideshow copy</title>
				
		<link>https://www.upstreamtheater.org/Current-Show-slideshow-copy</link>

		<pubDate>Sat, 22 Aug 2026 17:28:20 +0000</pubDate>

		<dc:creator>Upstream Theater</dc:creator>

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		<description>
	



	


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	<item>
		<title>FOOTER copy</title>
				
		<link>https://www.upstreamtheater.org/FOOTER-copy</link>

		<pubDate>Sat, 22 Aug 2026 17:33:50 +0000</pubDate>

		<dc:creator>Upstream Theater</dc:creator>

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		<description>

SUBSCRIBE TO OUR 2026/2027 SEASON
THE JANEIADby Anna ZieglerNovember 6 - 22tickets available: here


SECOND ACTby Samuel Benchetrit, translated by Jon Goldman 
January 22 - February 7
THE ADDING MACHINE A new adaptation of Elmer Rice’s Expressionist classic 
April 23 - May 9

JOIN OUR MAILING LIST ︎ ︎ ︎



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	<item>
		<title>FOOTER</title>
				
		<link>https://www.upstreamtheater.org/FOOTER</link>

		<pubDate>Wed, 15 Jul 2026 15:54:53 +0000</pubDate>

		<dc:creator>Upstream Theater</dc:creator>

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&#60;img width="1956" height="197" width_o="1956" height_o="197" data-src="https://freight.cargo.site/t/original/i/6657b7fae6d6b57ed5c68453e8628c5ec414ff94fa5f81dcfffd614c40f3529e/kayak-tag1.png" data-mid="250440927" border="0" data-scale="32" src="https://freight.cargo.site/w/1000/i/6657b7fae6d6b57ed5c68453e8628c5ec414ff94fa5f81dcfffd614c40f3529e/kayak-tag1.png" /&#62;&#60;img width="3160" height="197" width_o="3160" height_o="197" data-src="https://freight.cargo.site/t/original/i/ae254b6bac0772776ea8721c691cb5c433fb951f8c6fa09b0f6f6b931146ce07/themarcelle.png" data-mid="250442009" border="0" data-scale="53" src="https://freight.cargo.site/w/1000/i/ae254b6bac0772776ea8721c691cb5c433fb951f8c6fa09b0f6f6b931146ce07/themarcelle.png" /&#62;</description>
		
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		<title>LAB IMAGE</title>
				
		<link>https://www.upstreamtheater.org/LAB-IMAGE</link>

		<pubDate>Tue, 15 Jul 2025 13:46:39 +0000</pubDate>

		<dc:creator>Upstream Theater</dc:creator>

		<guid isPermaLink="true">https://www.upstreamtheater.org/LAB-IMAGE</guid>

		<description>&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
&#60;img width="2334" height="762" width_o="2334" height_o="762" data-src="https://freight.cargo.site/t/original/i/3456fea8e4b03453766f4b3f6eda189e99adcd7db3781e3540bf1c07aeaae504/LOGO_swooshWHITE-clear.png" data-mid="235830321" border="0" data-scale="20" src="https://freight.cargo.site/w/1000/i/3456fea8e4b03453766f4b3f6eda189e99adcd7db3781e3540bf1c07aeaae504/LOGO_swooshWHITE-clear.png" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ABOUT &#124; CONTACT &#124; FAQ &#124; SEASON 20 &#124; PAST PLAYS &#124; SUPPORT &#124; OPPORTUNITIES
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		<title>LAB- 2025</title>
				
		<link>https://www.upstreamtheater.org/LAB-2025</link>

		<pubDate>Tue, 15 Jul 2025 13:48:45 +0000</pubDate>

		<dc:creator>Upstream Theater</dc:creator>

		<guid isPermaLink="true">https://www.upstreamtheater.org/LAB-2025</guid>

		<description>&#60;img width="3375" height="1525" width_o="3375" height_o="1525" data-src="https://freight.cargo.site/t/original/i/8864f3fa79d7ebb72bd29d5e8353ad62af8b9e8a930181f70aca1de809c92f82/UpstreamLAB.jpg" data-mid="235830526" border="0"  src="https://freight.cargo.site/w/1000/i/8864f3fa79d7ebb72bd29d5e8353ad62af8b9e8a930181f70aca1de809c92f82/UpstreamLAB.jpg" /&#62;LAB &#124; A workshop for theater professionalsInfo for the Winter and Spring LABs coming soon! Email lizi@upstreamtheater.org to express interest and to be added to our mailing list for the LAB.

Led by theater professionals, specifically inviting other professionals to engage in a process-oriented exploration.

The Lab has a rotating leadership system and is co-taught by two members of the community. 

There is no charge for the LAB but we ask participants to commit to all sessions in a series.

Email lizi@upstreamtheater.org with interest


PAST
May 2025: THE LAUGH/CRY BORDERLAND and THE SEVEN VOICES9 local professional theater practitioners came together each week to experiment with a psychophysical acting practice rooted in developmental sound/movement as it led into preverbal root emotions, voice as activated breath, text moving from internal to external to universal, the laugh/cry borderland, and developing our thief’s toolbox. 
Instructors: Lizi Watt with Jane Paradise

UPCOMING 

October 2025: SOAP 
A group improvisational SOAP (opera) that will unfold over five Monday evenings. Participants will enter into the Lab with a SOAP character of their own creation and partner with others to create and present scenes. Facilitators: Jane Paradise with Lizi Watt
TICKETS &#124; PAST PLAYS &#124; ABOUT &#124; SUPPORT UPSTREAM &#124; CONTACT &#124; FAQ &#124; VOLUNTEER</description>
		
	</item>
		
		
	<item>
		<title>ABOUT OUR MISSION</title>
				
		<link>https://www.upstreamtheater.org/ABOUT-OUR-MISSION</link>

		<pubDate>Wed, 15 May 2019 22:35:32 +0000</pubDate>

		<dc:creator>Upstream Theater</dc:creator>

		<guid isPermaLink="true">https://www.upstreamtheater.org/ABOUT-OUR-MISSION</guid>

		<description>
	&#60;img width="2334" height="762" width_o="2334" height_o="762" data-src="https://freight.cargo.site/t/original/i/b55aeed83befba3685b5b9189d70a10ddff3513435746126697067acc6fd5155/LOGO_swooshWHITE-clear.png" data-mid="217047228" border="0" data-scale="34" src="https://freight.cargo.site/w/1000/i/b55aeed83befba3685b5b9189d70a10ddff3513435746126697067acc6fd5155/LOGO_swooshWHITE-clear.png" /&#62;
	Follow Upstream ︎ ︎

	Our Mission Upstream Theater is a professional production company dedicated to bringing a world of theater to St. Louis. We believe that art engages as much as it entertains, and that by feeding the senses we feed the soul. Our goal is to move you, and to move you to think.
World Class Theater For a World Class City Since 2005, Upstream has introduced St. Louis audiences to new plays from places as far-flung as Argentina and Australia, as well as innovative stagings of classics. Two-thirds of our shows have been U.S. premieres, and all are chosen for local impact. We collaborate with theater artists from around the globe, and our shows continue to spark discourse in and beyond our local community. This international focus is unique in the region and rare in the country. Our innovative productions of classical and contemporary works have attracted consistent local recognition as well as national acclaim, including three grants from the National Endowment for the Arts. We are also the only local company (and first in Missouri) to be awarded a National Theatre Grant from the American Theatre Wing (founder of the Tonys).St. Louis is a city of great diversity, with a wealth of artistic talent. From the beginning we have put that diversity on stage by deliberately and consistently hiring across lines of race and ethnicity. We have also been committed to professionalism since our first production, and have always operated under a full contract with Actors’ Equity, which assures our actors safe working conditions, regulated wages and benefits.
I.D.E.A. Inclusion. Diversity. Equity. Access.
Upstream Theater remains determined to put diversity on stage, with the plays we produce and the people we hire to produce them. By sharing stories from around the world we celebrate difference while underscoring our common humanity. From the beginning our art has been empowered by deliberate inclusion across race, gender, age, ethnicity, identity, ability, and experience. Just as we make sure no physical barrier impedes accessibility in our venues, we strive to remove unseen barriers that impede progress towards greater equity both within our organization and within our community—and we will continue to look to improve our own approach.


Board Members
Charlie Allen ChairJason Antwi

Philip Boehm (ex-officio)Elsy Cardona
Jarek Czernikiewicz
Matthias Goeritz Gad Guterman
Emily Freeman Huber

Kay Love


Kathy SitzerAndrew Stenger
Katrin Tobben


Lizi Watt (ex officio)

	PHILIP BOEHM 
Artistic Director&#60;img width="2320" height="2987" width_o="2320" height_o="2987" data-src="https://freight.cargo.site/t/original/i/7a01f0eb8021d1cc2603c81168dcb3f2dd8511079fabf2824928b4dc9d811b93/Philip-Boehm-NEW-SITE.jpg" data-mid="218558055" border="0" data-scale="86" src="https://freight.cargo.site/w/1000/i/7a01f0eb8021d1cc2603c81168dcb3f2dd8511079fabf2824928b4dc9d811b93/Philip-Boehm-NEW-SITE.jpg" /&#62;
Upstream Theater’s program is guided by founding Artistic Director Philip Boehm, whose career zigzags across languages and borders, artistic disciplines and cultural divides. As a theater director fluent in several languages he has staged dozens of professional productions at theaters in Poland, Slovakia, and the United States. As a dramatist his produced plays include Mixtitlan, Soul of a Clone, Alma en venta, The Death of Atahualpa, and Return of the Bedbug. For this work he has received awards from the Mexican-American Fund for Culture and the NEA. Locally he has received Kevin Kline Awards both as a director and as a playwright.
He is also the author of more than thirty translations of novels and plays by German and Polish writers, including Nobel laureate Herta Müller, Franz Kafka, Bertolt Brecht, and Hanna Krall. For his work as a translator he has received prizes from a number of institutions including the American Translators Association, the U.K. Society of Authors, the Polish Cultural Institute, the Goethe Institute, PEN USA, the Austrian Ministry of Culture, and the Texas Institute of Letters, as well as fellowships from the NEA and the John Simon Guggenheim Memorial Foundation.Originally from Texas, Mr. Boehm studied at Wesleyan University (CT), Washington University in St. Louis, and the State Academy of Theater in Warsaw, Poland. He is a frequent invited speaker and has worked as a guest artist at several universities, most recently as a playwriting mentor for the Yale Playwrights Festival. He has served on juries for literary prizes both in the US and abroad, and has published reviews and other articles in various journals including American Theatre and The New York Times.photo by Joanna Eldredge Morrissey
LIZI WATT

Managing Director
&#60;img width="1378" height="1056" width_o="1378" height_o="1056" data-src="https://freight.cargo.site/t/original/i/7de2e095bc3fa9ae28d1a243bafeb9736a02e949bca21963bf0cd098e8444ce7/Lizi.Watt.2022-horizontal.jpg" data-mid="217496761" border="0"  src="https://freight.cargo.site/w/1000/i/7de2e095bc3fa9ae28d1a243bafeb9736a02e949bca21963bf0cd098e8444ce7/Lizi.Watt.2022-horizontal.jpg" /&#62;Lizi Watt began her journey Upstream after returning to St. Louis from almost 20 years out in the field working as a performer, director, theater-maker and freelance educator. As Managing Director, Lizi channels her disparate experiences in theater-making to promote and uplift both Upstream’s mission and St. Louis’ many incredible artists and technicians. Her other theater admin ventures have included co-founding Band of Toughs (Boulder/Denver) in 2015, organizing time and space as Production Manager for Naropa University’s MFA program, and working as Managing Director for the Tennessee Williams Festival St. Louis. Some favorite performance work includes multiple projects with Kestrel Leah and Physical Plastic (LA), Meet Me at Dawn and Pictures From a Revolution with Upstream, Copenhagen (STLAS), Daedalus’ Daughter at REDCAT (LA), Hamlet with Prison Performing Arts (featured on This American Life), Weetzie Bat at the Edinburgh Fringe Festival, and the years touring with Metro Theater Company (US and Taiwan). Since earning her MFA in Theater from Naropa, she has taught acting at NYU’s Experimental Theater Wing, Naropa, Rhodes, Acrobatics of the Heart, the National Alliance of Acting Teachers, Marlborough School (LA), Crossroads and COCA and has regional directing credits across the country, including Hamlet with Anon It Moves in Portland, and Maria est Perdue at the Women On the Edge Festival in SF, and has been privileged to work with Stephen Wangh on The Tempest at Naropa and The Testimony Project at Princeton University. Lizi is also the author/creator of Mama, House of Daughters, and It’s a Girl. Though she has traveled far and wide, lived here and there, and done this and that, Lizi is particularly grateful for her roots as a St. Louisan, as a member of the Wyandot Nation, and as mother of Oliver, Inez and Sabine.
CAITLIN MICKEY
Patron Services&#38;nbsp;&#60;img width="745" height="611" width_o="745" height_o="611" data-src="https://freight.cargo.site/t/original/i/f05b9000effd2e3b4efcb1040d81d2a590b37ac7f49cc3bdd6ed0e9ae47f1c28/Caitlin.Mickey2.jpg" data-mid="217496682" border="0"  src="https://freight.cargo.site/w/745/i/f05b9000effd2e3b4efcb1040d81d2a590b37ac7f49cc3bdd6ed0e9ae47f1c28/Caitlin.Mickey2.jpg" /&#62;Caitlin Mickey is proud to have been involved with Upstream Theater for over a decade. She began working backstage with Upstream as an assistant stage manager in 2014, and then for the first time onstage in their production of Sweet Revenge in 2017. Caitlin has since appeared in Upstream’s productions of Wittenberg and Don’t Wait for the Marlboro Man, as well as numerous poetry readings and their acclaimed stage reading of Waiting for Lefty. A graduate of the Sargent Conservatory of Theater Arts at Webster University, she holds a BFA in Musical Theater, and has performed with many companies in Saint Louis and all over the country. When not involved in theatrical endeavors, Caitlin works on the property management team at Cushman &#38;amp; Wakefield, volunteers as a National Anthem singer for various organizations, and is a board member for The Mardi Gras Foundation. 
Joceyln Padilla
Social Media &#38;amp; Marketing&#60;img width="686" height="794" width_o="686" height_o="794" data-src="https://freight.cargo.site/t/original/i/53ce723888f8005025184a4da95ba9709890d302c6cb2f49894f2a69983ccb1b/J-PADILLA.jpg" data-mid="242045202" border="0"  src="https://freight.cargo.site/w/686/i/53ce723888f8005025184a4da95ba9709890d302c6cb2f49894f2a69983ccb1b/J-PADILLA.jpg" /&#62;
Jocelyn Padilla is a Boston native and a graduate of Emerson College, where she trained in theater, acting, and directing. After relocating to St. Louis in 2023, she decided to return to her first love, theater and acting, and has since achieved significant artistic and professional milestones in a remarkably short period.

Jocelyn is a multi-hyphenate creative whose work spans performance, advocacy, and storytelling both onstage and behind the scenes. In addition to performing, she also works as an intimacy coordinator and director, known for centering artist safety, trust, and emotional authenticity in every production she supports.


As part of the Upstream Theater staff, she merges her artistic insight with her expertise in strategic branding and digital marketing. Her goal is to amplify the Upstream brand, increase visibility, and bring fresh energy to the company’s storytelling by highlighting the artists, the work, and the impact Upstream has on the St. Louis arts community.
Jocelyn is deeply grateful to be part of the Upstream Theater team and proud to contribute to a company that values innovation, accessibility, and meaningful, community driven theater.


SLEEPY KITTY

Graphic Design
&#60;img width="1080" height="720" width_o="1080" height_o="720" data-src="https://freight.cargo.site/t/original/i/1c462c8fdc17308c38c7d1fa5acecbb2adb53f7333de228673161534d17b9c7c/SK-web-blue.jpg" data-mid="217153242" border="0"  src="https://freight.cargo.site/w/1000/i/1c462c8fdc17308c38c7d1fa5acecbb2adb53f7333de228673161534d17b9c7c/SK-web-blue.jpg" /&#62;










Paige Brubeck and Evan Sult first connected with Upstream Theater in 2015 when their band Sleepy Kitty composed, performed and directed the music for Upstream’s production of The Rime of the Ancient Mariner, for which they received a nomination for Outstanding Sound Design in the St. Louis Theater Circle Awards. The duo, also known for their screenprinted posters for bands and theater, were named “Best Poster Designer” in 2011 by the Riverfront Times and they have been designing for Upstream since 2018.
 









	





	



CLICK TO RETURN HOME&#38;nbsp;︎︎︎

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	<item>
		<title>LAB NEW</title>
				
		<link>https://www.upstreamtheater.org/LAB-NEW</link>

		<pubDate>Tue, 15 Jul 2025 13:28:26 +0000</pubDate>

		<dc:creator>Upstream Theater</dc:creator>

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		<description>
	
Led by theater professionals, specifically inviting other professionals to engage in a process-oriented exploration.

	
&#38;nbsp;The Lab has a rotating leadership system and is co-taught by two members of the community. 

For more info email: 
lizi@upstreamtheater.orgCLICK TO RETURN TO HOME ︎︎︎


	
There is no charge for the LAB but we ask participants to commit to all sessions in a series.



</description>
		
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	<item>
		<title>SEASON 21</title>
				
		<link>https://www.upstreamtheater.org/SEASON-21</link>

		<pubDate>Mon, 29 Sep 2025 14:43:33 +0000</pubDate>

		<dc:creator>Upstream Theater</dc:creator>

		<guid isPermaLink="true">https://www.upstreamtheater.org/SEASON-21</guid>

		<description>
	&#60;img width="2334" height="762" width_o="2334" height_o="762" data-src="https://freight.cargo.site/t/original/i/b55aeed83befba3685b5b9189d70a10ddff3513435746126697067acc6fd5155/LOGO_swooshWHITE-clear.png" data-mid="238803993" border="0" data-scale="34" src="https://freight.cargo.site/w/1000/i/b55aeed83befba3685b5b9189d70a10ddff3513435746126697067acc6fd5155/LOGO_swooshWHITE-clear.png" /&#62;
	Follow Upstream ︎ ︎CLICK TO RETURN TO HOME ︎︎︎

	&#60;img width="1759" height="900" width_o="1759" height_o="900" data-src="https://freight.cargo.site/t/original/i/b56ca4d3a4ef45147caf373f2cd89b6aa4f92a49f91c712c48c38d9c931c6055/Season21_Horiz_with_plays.png" data-mid="238809450" border="0"  src="https://freight.cargo.site/w/1000/i/b56ca4d3a4ef45147caf373f2cd89b6aa4f92a49f91c712c48c38d9c931c6055/Season21_Horiz_with_plays.png" /&#62;

︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎︎
Featured Upstream Theater Events this Season:

Jan 23- Feb 8, 2026

THE MYTH OF THE OSTRICH
THE MARCELLE 


 Join us in January for the US premiere of Myth of the Ostrich, by Canadian playwright Matt Murray. A hilarious and moving story of three women with sharply different worldviews, the play follows a seemingly pleasant first meeting that quickly spirals into a riotous chain of misunderstandings when a small-town mom confronts another parent about their teens' relationship, uncovering secrets, lies, and unexpected twists along the way. Directed by Jane Paradise. 
Sponsored by David and Melanie Alpers, Show Associate Producers
Feb 1 &#38;amp; 8, 2026

Springboard #3 &#38;amp; 4Following the matinee for The Myth of the OstrichTHE MARCELLE


March 2026
X (staged reading)
Written by Alistair McDowall an set in a research station on PlutoStay tuned for specific dates to come!


	
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CLICK HERE FOR SEASON TICKETS PACKAGES︎︎︎
 MORE UPCOMING EVENTS:March 22, 2026, 6 PM
Migratory Verses Know No BordersAn evening of poetry and music
from around the worldINTERNATIONAL INSTITUTE&#38;nbsp;
Apr 17 - May 3, 2026

THE END OF THE WORLD CABARETAdapted from Austrian playwright Jura Soyfer’s 1936 futuristic satire&#38;nbsp;
THE MARCELLE
April 26 &#38;amp; May 3, 2026
Springboard #5 &#38;amp; 6Following the matinee for
The End of the World CabaretTHE MARCELLE
May 6, 2026Streams of Thought
A community dialogue on theater as part of the social fabricFOCAL POINT
COMING SOON:Soundings
A book club for the theatrically
mindedTHE MARCELLE
3310 Samuel Shepard Drive
St. Louis MO, 63103
free parking&#38;nbsp;


All events (excluding plays) are free and open to the community!




PAST 2025/2026 SEASON EVENTSNov 7-23, 2025
An Orchard For Chekhov
THE MARCELLE 
 Actress Alma Duran is going through hard times but hasn't lost her ability to dream, to invent a future. Chekhovian in tone, the play explores (with great humor) conflicting emotions and social tensions against a contemporary backdrop of intolerance and violence. Above all it shows affection, beauty, the power of imagination--and the ability to laugh at our pains. By Brazilian playwright Pedro Bricio, translated by Steven K. Smith. U.S. Premiere.
 MARCELLE

Nov 16 &#38;amp; 23, 2025 

Springboard #1 &#38;amp; 2Following the matinee for An Orchard for Chekhov
Nov 8, 2025 

Translation SlamSpecial guest Steven K. Smith and featuring students from St. Louis areas high schools
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